Therefore, in these pages we propose seeing television beyond itself, from that particular region that is Latin America, which is historically, culturally and politically unique because it is only from there that we believe it is possible to understand its polychromatic link and its profound meaning to all Latin-Americans. We admit that television is undergoing a transition, but not a process of extinction rather, it is coexisting with other screens and becoming once again a transcendental and versatile medium, not only because of its intrinsic properties as a medium and its growing convergence on many devices, but above all due to the particular characteristics of the regions and cultures where it operates and has inserted. Television is also a source of entertainment, information, acculturation and dissemination of political, advertising and educational messages. And we put emphasis on many things, because most of the discourses about the threatened existence of television focus almost exclusively on its media-technological dimension, which is of course being surpassed by smart screens, whose preference among the audiences is ever increasing. The contemporary “explosion” of television, in addition to diversifying, transforming and broadening its forms of existence, has amplified the idea of television itself towards something different and unheard-of, as a converging source of the audiovisual or televisual, so much so, that many thought it was going to disappear that is why contrasting and even schizophrenic debates have arisen about the end of television ( Buonanno, 2015 Scolari, 2016).īeyond that international debate in which television is assumed as a medium that is in transition and soon to disappear, in this text we start from the provocative conviction that television, as any other media, is “many things at the same time”. ↑ Pucci, Douglas.Understanding television or any other media today presupposes much more than just giving an account of its technological, business model or political evolution, despite the dazzle caused by inventions and digital gadgets, the new business models and the various agreements, pacts and modalities between the public and the private and between the global and the local around the world ( Maxwell & Miller, 2014 Miller, 2016).«Friday Final Ratings: CBS Wins Prime Time Viewers, Adults 18-49 and 25-54 with ‘MacGyver’ and Two ‘Hawaii Five-0’ Episodes». «Thursday Final Ratings: ‘Premio Lo Nuestro’ Boosts Univision to its Best Night of the Season To-Date». «Wednesday Final Ratings: North Carolina-Duke Sets Record for ESPN’s Most-Watched Weeknight College Basketball Game To-Date». «Tuesday Final Ratings: ‘Lethal Weapon’ on Fox Rises to its Best Figures Since Season Premiere».
«Monday Final Ratings: ABC Emerges Victorious Among Adults 18-49 Opposite NBC’s Season Finales».
#Transformación de betty la fea series#
«Friday Final Ratings: ‘Proven Innocent’ Series Debut on Fox Behind Three Broadcast and Three Cable Telecasts Among Adults 18-49 Within the Hour». «Thursday Final Ratings: Valentine’s Day Holiday Again Diminishes Overall Viewing Levels». «Wednesday Final Ratings: ‘Big Brother: Celebrity Edition’ on CBS Concludes Second Cycle at Below its Season-Average Levels». «Tuesday Final Ratings: Westminster Dog Show on FS1 Way Up from Last Year but Down Double-Digits from Two Years Ago».
«Monday Final Ratings: ‘The Bachelor’ on ABC the Top Telecast Among Young Females ‘America’s Got Talent: The Champions’ on NBC Leads in Total Viewers, Males 18-49 and 25-54». «Friday Final Ratings: CBS Wins Prime Time in All Key Figures». «Thursday Final Ratings: ‘Supernatural’ on CW Reaches Season-Highs in Viewers and Adults 18-49». «Wednesday Final Ratings: ‘The Challenge: War of the Worlds’ on MTV Premieres On-Par with ‘Final Reckoning’ July 2018 Premiere». Esta es una lista de episodios de Betty en NY, telenovela producida por Telemundo Global Studios, a cargo de Miguel Varoni para Telemundo y transmitida desde el 6 de febrero de 2019.